Friday, November 2, 2007

Big things poppin

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Also check out our fraternal twin blog Trendy Candy.

Thursday, November 1, 2007

Strike Rules


The WGA East has put up some strike rules if both the WGA West and East vote to strike.My favorite is number 7. Don't enter the buildings. lol I don't think that will be hard to do, unless Jay Leno kidnaps you and forces you to write his monologue while Ross the Intern keeps watch. TV is about to go through some desperate times if they do indeed strike. More on that later though.

2007 Strike rules - Index

Introduction to the Strike Rules

Strike Rules

  1. Stop writing for all struck companies immediately.
    Programming made for non-traditional media .
    Animation programming.
  2. Do not deliver or submit any literary material or any documents to a struck company.
    Accepting payments
  3. Do not negotiate with a struck company.
    Notice (sample notice)
  4. Notify struck companies to return your literary material.
    Notice (sample notice)
  5. Do not discuss future employment, sales or options with a struck company.
  6. Do not negotiate with a struck company to obtain financing for development or production of a project.
  7. Honor all Guild picket lines and do not enter the premises of any struck company.
  8. File with the Guild copies of all unproduced literary material written for a struck company ("script validation program")
  9. Inform the Guild of the name of any writer you have reason to believe is engaged in any strike breaking activity or scab writing.
  10. You have the obligation to picket and/or perform other strike support duties.
  11. Do not attempt to negotiate a settlement of the strike with any struck company.
  12. Additional strike rules pertaining to writers also employed in additional capacities ("hyphenates").
  13. Rules pertaining to non-members

WGA Contract Exprires, Strike is on the way


Yes this is for real. As on midnight last night, the Writer's Guild contract expired. Tonight at the L.A. Convention Center @ 7 pm pt, members will be meeting to discuss what happens from here.

Official WGA Statement:

Contact: Gregg Mitchell (323) 782-4574
Sherry Goldman (718) 224-4133

News Release: October 31, 2007
Contract 2007 Negotiations Statement

LOS ANGELES -- The WGA Negotiating Committee, on behalf of the Writers of Guild of America, West (WGAW) and the Writers Guild of America, East (WGAE), has issued the following statement regarding Contract 2007 negotiations:

“Today, just hours before the expiration of our contract, the AMPTP brought negotiations to a halt.

The Companies refused to continue to bargain unless we agree that the hated DVD formula be extended to Internet downloads.

This morning we presented the AMPTP with a comprehensive package of proposals that included movement on DVDs, new media, and jurisdictional issues. We also took nine proposals off the table. The Companies returned six hours later and said they would not respond to our package until we capitulated to their Internet demand.

After three and a half months of bargaining, the AMPTP still has not responded to a single one of our important proposals. Every issue that matters to writers, including Internet reuse, original writing for new media, DVDs, and jurisdiction, has been ignored. This is completely unacceptable.”

There will be a WGA West membership meeting in Los Angeles Thursday night.”

For more information about the Writers Guild of America, West, please visit www.wga.org. For more information about the Writers Guild of America, East, please visit: www.wgaeast.org.

The Writers Guild of America, West (WGAW) and the Writers Guild of America, East (WGAE) represent writers in the motion picture, broadcast, cable, and new media industries in both entertainment and news. The unions conduct numerous programs, seminars, and events throughout the world on issues of interest to, and on behalf of, writers.


WGA West

Thursday, October 11, 2007

WGA sets strike rules

Writers Guild drafts hardline regulations


The WGA clearly wants to send a signal. The guild has formulated strike rules that would impose an exceptionally aggressive stance on its 12,000 members.

In addition to a ban on any guild-covered work in features and TV, a draft recap of the WGA rules said the guild plans to prohibit any writing for new media and declare that writers can't do animated features -- even though that realm is not under WGA jurisdiction.

The WGA didn't specify what the penalties would be for violating the rules. It's also asserting that nonmembers who perform banned work during a strike will be barred from joining the guild in the future.

Guild hasn't issued the regulations officially and will probably not do so until after it obtains strike authorization from members next week. Deadline for ballots is Oct. 18 -- 13 days before the current WGA contract expires.

But news of the rules began circulating Wednesday as the WGA and the Alliance of Motion Picture & Television Producers met in the afternoon in their eighth face-to-face session; they plan to resume talks this ayem. The two sides have achieved no progress during the previous sessions and have simply blamed each other for taking untenable stances.

The two meetings this week have focused on the WGA's proposal to double DVD residuals. In a statement after Wednesday's session, AMPTP president Nick Counter said the meeting consisted of discussions on "discrepancies in the data presented by the WGA."

In response, the WGA opted for a civil tone, saying, "We appreciate the AMPTP's offer to provide economic data to back up their arguments regarding the homevideo formula. We look forward to continuing the discussion of this critically important topic."

Earlier Wednesday, WGA West prexy Patric Verrone and exec director David Young painted a gloomy picture of the state of the talks in a 90-minute visit to ICM offices. The duo expressed frustration during the confab, characterizing the AMPTP's reaction as disrespectful to the guild's proposals -- which include spelling out rules for new-media work, doubling DVD residuals and expansion of jurisdiction in animation and reality.

Counter has returned fire repeatedly, accusing the WGA of being strike-happy and unprofessional. The AMPTP's refused to revise its initial proposal for a revamp of residual payments so that talent would receive money only after basic costs have been recouped.

In a membership meeting Tuesday night at the Century Plaza hotel, Verrone indicated he believes some progress has been achieved outside the negotiations via back channels and expressed hope that the AMPTP will take the residuals revamp off the table.

He also stressed during the session -- attended by about 100 writers --- that WGA leaders expect that SAG will be able to make a better deal with the AMPTP than the DGA.

Both the Screen Actors Guild and Directors Guild contracts expire June 30, but the DGA's expected to go first in negotiations -- perhaps as early as next month.


Variety

Tuesday, August 7, 2007

Zellweger to star in 'Appaloosa'

Harris prepares to direct Western drama



Ed Harris, Viggo Mortensen and Renee Zellweger will topline the Western drama "Appaloosa," with Harris directing from the screenplay he co-wrote with Robert Knott. New Line is on board to distribute and Michael London is producing via his Groundswell Prods., which is co-financing the film.

Harris and Knott also are producing. Lensing is set to start Oct. 1 in New Mexico, giving New Line a strongly cast project to shoot before a possible strike by actors next summer.

Project reteams Harris and Mortensen, who worked together on New Line's "A History of Violence." Story is adapted from Robert B. Parker's novel of the same name, centered on a pair of friends hired to protect a lawless town suffering at the hands of a renegade rancher. The arrival of an attractive widow disrupts their plans.

It's the second directorial gig for Harris, who directed himself in "Pollock." He'll be seen next in "Gone Baby Gone," "The Cleaner" and "National Treasure: Book of Secrets."

Zellweger is voicing a lead role in "Bee Movie" and will be seen in "Leatherheads" and "Case 39."

Groundswell has completed production on "The Mysteries of Pittsburgh," "Smart People" and "The Visitor." London's credits include "Sideways" and "The Illusionist."

"Appaloosa" is the second Western penned by Parker, best known for suspense novels. He also wrote "Gunman's Rhapsody," a fictional version of the Wyatt Earp story.

Monday, August 6, 2007

Vince Vaughn in producing pact

Variety:Actor signs two-year deal with Universal


Vince Vaughn
Vaughn

Marc Shmuger
Shmuger

Universal Pictures has made a two-year, first-look producing deal with Vince Vaughn and his Wild West Picture Show Prods. Arrangement kicks off with three features, each of which could be a starring vehicle for Vaughn.

Vaughn has set in development "Male Doula," a high-concept comedy based on his idea, to be scripted by Dana Fox ("What Happens in Vegas ...").

He is partnered with "The Break-Up" producer Scott Stuber on two other projects. One is an untitled comedy Jon Favreau is scripting about couples that attend a retreat to reinvigorate their marriages. The other is "Realtors," a satire about the cutthroat chase for commissions by rival realtors in the residential housing market.

The deal given Wild West Pictures Show Prods. by U production prexy Donna Langley allows the shingle to acquire pitches and spec scripts and gives Vaughn a discretionary fund.

While Vaughn received his first producing credit with Favreau on their "Swingers" follow-up "Made," he made his mark as a producer with Universal on "The Break-Up." The comedy was based on Vaughn's idea, with Jeremy Garelick and Jay Lavender writing the script. After the pic grossed $205 million worldwide, U brass felt Vaughn was money and he didn't even know it.

"We came away feeling that he was one of the absolute smartest guys in the business, who attended to every part of the process with such focus and has a real touch for what is fresh and interesting for the culture," Universal Pictures chairman Marc Shmuger told Daily Variety. "We think Vince will find a long and comfortable place for himself here."

Vaughn was also a hands-on producer on the documentary "Vince Vaughn's Wild West Comedy Show: 30 Days & 30 Nights -- Hollywood to the Heartland." Pic, which features Vaughn as emcee of a comedy tour, sold in a bidding battle to the Weinstein Co. at last year's Toronto Film Festival.

Months later, when Vaughn was unconvinced about the release and marketing strategy, he appealed directly to Weinstein and was able to buy back the film and make a new deal with New Line and Picturehouse. The pic will be released next year, after Vaughn stars in the holiday comedy "Fred Claus" for Warner Bros., bowing Nov. 9.

"I'm looking forward to working again with Marc, David Linde, Donna Langley and their talented teams," Vaughn said in a statement. "I had a great experience on 'The Break-Up,' and the marketing team, led by Adam Fogelson, did a fantastic job with the film."

'Bourne Ultimatum' chases down $70.2 million

hr/photos/stylus/2820.jpg

"The Bourne Ultimatum"

Jason Bourne returns to America in his quest to discover his true identity, and North American moviegoers embraced his homecoming as "The Bourne Ultimatum" rushed to an estimated $70.2 million opening weekend.

Although Universal Pictures' propulsive chase movie dominated the frame, Buena Vista Pictures' "Underdog" found some favor with family audiences. But the weekend's other new wide arrivals, Paramount Pictures' comedy "Hot Rod" and Lionsgate's teen outing "Bratz: The Movie," received the cold shoulder.

The PG-13 "Ultimatum" -- with Paul Greengrass, who directed "The Bourne Supremacy" three years ago, again at the helm -- raced past the bows of 2002's "The Bourne Identity," which opened to $27.2 million, and 2004's "Supremacy," which arrived to $52.5 million.

Applauded by critics -- it earned a 94% approval rating at RottenTomatoes.com -- the film written by Tony Gilroy, Scott Z. Burns and George Nolfi and produced by Frank Marshall, Patrick Crowley and Paul Sandberg earned an A from moviegoers according to CinemaScore as it racked up a per-theater average of $19,175.

Read the rest here@ The Hollywood Reporter