Friday, May 25, 2007

It's not even Friday night yet.

'World's End'-led weekend should be biggest in history

By Brian Fuson
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"Pirates of the Caribbean: At World's End"

'Pirates' haul begins: $58 mil in two days

It's a foregone conclusion that Buena Vista Pictures' "Pirates of the Caribbean: At World's End" will be swinging from the mainmast of the boxoffice by the end of this weekend and with plenty of plunder in tow. It's just a question of how big the seafaring sequel will be.

But that's only part of the story.

With the second weekend of Paramount Pictures' "Shrek the Third" and Sony Pictures' still-potent "Spider-Man 3" in the mix, the frame is poised to be the biggest in history.

"At World's End" marks the third film in the Walt Disney Co.'s lucrative "Pirates" franchise to set sail in theaters and, like the other pictures, carries the demographically friendly PG-13 rating. For their latest high-seas escapades, Captain Jack Sparrow (Johnny Depp) and company board a record 4,362 theater marquees for the Memorial Day holiday frame. Of those theaters, 1,068 will be digital -- a high for that format as well.

To get a jump on the holiday session and prime the boxoffice pump, "At World's End" had previews Thursday starting at about 8 p.m. in about 4,000 theaters nationwide. Midnight shows were to follow, and some exhibitors will be running the film around the clock. Those previews will attract the hard-core fan base and might pull in moviegoers who have today off for the holiday, but they also could drain some of the weekend interest.

But with the buzz surrounding "At World's End" flying so high, that's not likely to be a problem; it's more probable that the film's two-hour, 47-minute running time will have more of an impact. According to MovieTickets.com, presales on "At World's End" are through the roof, and the film already is positioned to break all-time sales records for the online ticketer.

Most industry observers agree that "At World's End" should break boxoffice records this weekend. It's just a matter of how many and by how much.

Last year's "Pirates" film, "Dead Man's Chest," opened to $135.6 million in early July to become the biggest opening weekend in history, breaking the record set just six weeks earlier by 20th Century Fox's "X-Men: The Last Stand," which debuted during the four-day Memorial Day holiday frame with $122.9 million. "Dead Man's Chest" held the record until this month, when Sony Pictures' "Spider-Man 3" vaulted past it with $151.1 million to claim the crown.

Disney understandably is mum on projections in order to manage expectations, but insiders are fairly confident that the opening of "At World's End" will be bigger than "Spider-Man 3." And while "At World's End" has the advantage of an extra day with the four-day holiday frame, it is only a matter of time before another film comes along -- i.e. "Spider-Man 3" and "Dead Man's Chest" -- and does more business in three days than "At World's End" did in four.

Aside from the high expectations for "At World's End," the Memorial Day weekend should be a memorable one. The third "Pirates" is the third high-profile threequel to hit theaters in the past four weeks, and with "Shrek" and "Spider-Man 3" still in play, the marketplace is expected to expand.

Consequently, the weekend is likely to top the $247.6 million generated during the 2004 Memorial Day frame, the biggest weekend of all time. The top three films that weekend were DreamWorks' "Shrek 2" ($95.6 million), Fox's "The Day After Tomorrow" ($85.8 million) and Warner Bros. Pictures' "Troy" ($15.3 million).

In putting together the third and final chapter in the "Pirates" saga, Disney employed the same principal stars and producing, writing and directing team that navigated the first two films. Gore Verbinski helms, with Jerry Bruckheimer producing and Ted Elliott and Terry Rossio handling the writing chores. Principal cast including Depp, Orlando Bloom and Keira Knightley also are all on board.

Keeping the crew intact for "At World's End" probably was a good idea if one considers that the combined worldwide boxoffice for the first two "Pirates" films, "The Curse of the Black Pearl" and "Dead Man's Chest," was a staggering $1.7 billion. The industry rule of thumb maintains that during the average seven-year cycle of a film product, the boxoffice -- the first income generator in a long line of ancillary revenue streams, including video/DVD, television, etc. -- represents about 20% of the product's total gross. With "Pirates' " worldwide boxoffice to date, the projected total gross sales for the first two films alone would be in the multiple billions of dollars.

Speaking of franchises, DreamWorks Animation's "Shrek the Third" will have picked up about $150.3 million in its first seven days of release, and "Spider-Man 3" had caught $289.5 million in its web through Thursday. This weekend, "Shrek" and "Spider-Man" will finish in second and third place, respectively.

In a counterprogramming effort, the only other wide release will be Lionsgate's "Bug," an R-rated thriller from director William Friedkin starring Ashley Judd, Michael Shannon and Lynn Collins. The film is based on an off-Broadway play written by Tracy Letts.

Oh No, The Sims have taken over.

Fox brings 'SIMS' to bigscreen

Film will be a live-action version

20th Century Fox has acquired feature rights to the life simulation computer game "The SIMS" from Electronic Arts, and has set project up with Fox-based John Davis.

The five-year-old franchise is the best selling PC game in history, with worldwide sales topping 85 million, bringing in over $1.6 billion. Pic will be a live-action version.

Steve Asbell is overseeing the project for Fox with SIMS Studio head Rod Humble managing the creative property for Electronic Arts. Brian Lynch will script; story is under wraps with talent yet to be named.

"'The SIMS has done an interactive version of an old story, which is what it's like to have infinite power and how do you deal with it," said Humble. "Given that that's an old story, you can imagine how easily that would translate to traditional story telling."

Davis' most recent projects include "Norbit," "When A Stranger Calls," and "Eragon."

Lynch scripted and helmed upcoming "Big Helium Dog," and penned "Scary Movie 3," and is managed by Benderspink.


Sims are ok for the computer screen, not so sure about the bigscreen.

Sandra Bullock has a 'Proposal'

Bullock set to star in 'Proposal'

Kurtzman, Orci to exec produce rom-com

Sandra Bullock
Bullock

Sandra Bullock has been tapped to star in Touchstone Pictures' romantic comedy "The Proposal."

Mandeville's David Hoberman and Todd Lieberman are producing; Alex Kurtzman and Roberto Orci will exec produce.

Peter Chiarelli script concerns a demanding female boss faced with deportation to Canada who agrees to a sham engagement and marriage with her young male assistant. A director has yet to be named.

Longtime collaborators Kurtzman and Orci penned "Mission Impossible III," as well as upcoming Dream Works/Paramount features "Transformers" and "Star Trek." Duo are producing "2012" and "The 28th Amendment" for Warner Bros. and "Red Cell" for New Line.

Tyro scribe Chiarelli was director of development at MGM, supervising production of "The Pink Panther" and "The Amityville Horror." In 2005, he moved to DreamWorks to run Kurtzman/Orci Prods., where his projects included "Eagle Eye," "Nightlife" and "Red Cell."

Sandra Bullock has a 'Proposal'

Bullock set to star in 'Proposal'

Kurtzman, Orci to exec produce rom-com

Sandra Bullock
Bullock

Sandra Bullock has been tapped to star in Touchstone Pictures' romantic comedy "The Proposal."

Mandeville's David Hoberman and Todd Lieberman are producing; Alex Kurtzman and Roberto Orci will exec produce.

Peter Chiarelli script concerns a demanding female boss faced with deportation to Canada who agrees to a sham engagement and marriage with her young male assistant. A director has yet to be named.

Longtime collaborators Kurtzman and Orci penned "Mission Impossible III," as well as upcoming Dream Works/Paramount features "Transformers" and "Star Trek." Duo are producing "2012" and "The 28th Amendment" for Warner Bros. and "Red Cell" for New Line.

Tyro scribe Chiarelli was director of development at MGM, supervising production of "The Pink Panther" and "The Amityville Horror." In 2005, he moved to DreamWorks to run Kurtzman/Orci Prods., where his projects included "Eagle Eye," "Nightlife" and "Red Cell."

Movies Opening Today

Place to be last night. At a movie theater near you @ 8 p.m. That is when the general public had the chance to see Pirates of the Caribbean: At World's End. Disney publicized their decision to not wait for the midnight showing and show it a few hours earlier. The other movie studios are smart, because this long holiday weekend, POTC is the only major film released today. ( I give this film a A++) Some people are over the Pirates, so there are other smaller movies that are now in theaters. I recommend Amu. Previews are below. :)

Amu

Angel-A

Bug

Golden Door

Paprika

Wednesday, May 23, 2007

Wonder why he changed his mind?

Alec Baldwin returns to CAA

Actor, agency reteam after month-long break

Alec Baldwin
Baldwin

In an about-face, Alec Baldwin has returned to CAA.

Citing personal reasons, Baldwin had left the agency late last month (Daily Variety, April 25).

The abrupt exit came as he was dealing with the blowback from a Web site leak of a four-minute voicemail tirade he left for his daughter after she missed a scheduled phone conversation.

It was the latest chapter in his contentious divorce with actress Kim Basinger, who is also represented by the same agency -- a situation that may have exacerbated his ire.

Baldwin, who briefly said that he didn't want to return to his series "30 Rock" and would instead devote himself to raising awareness of parental alienation during divorces and the inequities that fathers receive from the courts, is quietly getting things back in order, as his return to CAA indicates.

Through a spokesman, Baldwin said, "I could not imagine being represented by anyone other than Matt DelPiano."

Though Baldwin is coming off strong movie work in "The Departed" and "The Good Shepherd," he won't take a film during the hiatus from the NBC sitcom "30 Rock," which is coming back for its second season.

Baldwin, whose contract calls for him to appear in at least 12 episodes of the sitcom, will be back to work when shooting begins in August. He's also in the middle of writing a book about the impact of the divorce process on fathers, and expects to have it published later this year through St. Martin's Press.

Remember the cartoon He-Man?

He-Man returns to big screen

Joel Silver teams with WB for adaptation

He-Man

Warner Bros. and producer Joel Silver are working with Mattel to turn "He-Man and the Masters of the Universe" into a live-action film.

Justin Marks is set to write the script. Silver will produce.

Deal, which is contingent on Mattel formally approving an outline for the project, is another example of Hollywood overhauling a 1980s-era pop-culture touchstone in the hopes of seeding a tentpole pic. The sale comes just a few weeks before the July preem of DreamWorks' Michael Bay-directed "Transformers," which began as an '80s animated series and toy line.

He-Man was born as a Mattel action figure, and the toymaker created an animated series in hopes of selling dolls. The series became a cult favorite, but the brand was hardly helped by its first bigscreen incarnation, the campy 1987 flop "Masters of the Universe" that starred Dolph Lundgren as the title character and Frank Langella as his nemesis Skeletor.

The toymaker, which now licenses "He-Man" for high-end merchandise sold to hardcore collectors, has been wary of going Hollywood again. An attempt by Fox 2000 to make another movie, this time with director John Woo, ended in futility as the toymaker didn't spark to the screen plans.

For Mattel, the stakes are potentially high as success could mean an entire relaunch of a toy line.

The franchise has been reimagined by the producer and the writers and pitched to Mattel as a classic good vs. evil battle, using the kind of visual effects strategy employed in "300." A warrior is touted as the last hope of a magical land called Eternia, which is being ravaged by technology and the evil Skeletor.

Many of the characters in the Middle Earth-like universe will be informed by the mythology created in the four different cartoon series done since the 1980s.

The story was hatched by Marks and Neil Ellice, the latter of whom will co-produce. Silver Pictures, which is turning the Japanese animated series "Speed Racer" into a live-action film to be directed by Larry and Andy Wachowski, sparked to the potential. Silver Pictures exec Navid McIlhargey brought it in and will be involved in a producing capacity.

The viability of the "He-Man" universe is evidenced by the traffic that has occurred since rumors of a screen resurrection hit the Internet. Contrary to Web rumor, the lead role has not yet been cast.

WMA-repped Marks is writing a number of scripts, including "One Free Murder," for producer Kevin Misher. But he's found a niche reimagining branded properties. He's turning the animated series "Voltron" into a live-action film for producer Mark Gordon; he's developing a screen version of the vidgame "Street Fighter" for Hyde Park; and he's scripting a feature for Warners based on DC Comics character the Green Arrow.