Tuesday, August 7, 2007

Zellweger to star in 'Appaloosa'

Harris prepares to direct Western drama



Ed Harris, Viggo Mortensen and Renee Zellweger will topline the Western drama "Appaloosa," with Harris directing from the screenplay he co-wrote with Robert Knott. New Line is on board to distribute and Michael London is producing via his Groundswell Prods., which is co-financing the film.

Harris and Knott also are producing. Lensing is set to start Oct. 1 in New Mexico, giving New Line a strongly cast project to shoot before a possible strike by actors next summer.

Project reteams Harris and Mortensen, who worked together on New Line's "A History of Violence." Story is adapted from Robert B. Parker's novel of the same name, centered on a pair of friends hired to protect a lawless town suffering at the hands of a renegade rancher. The arrival of an attractive widow disrupts their plans.

It's the second directorial gig for Harris, who directed himself in "Pollock." He'll be seen next in "Gone Baby Gone," "The Cleaner" and "National Treasure: Book of Secrets."

Zellweger is voicing a lead role in "Bee Movie" and will be seen in "Leatherheads" and "Case 39."

Groundswell has completed production on "The Mysteries of Pittsburgh," "Smart People" and "The Visitor." London's credits include "Sideways" and "The Illusionist."

"Appaloosa" is the second Western penned by Parker, best known for suspense novels. He also wrote "Gunman's Rhapsody," a fictional version of the Wyatt Earp story.

Monday, August 6, 2007

Vince Vaughn in producing pact

Variety:Actor signs two-year deal with Universal


Vince Vaughn
Vaughn

Marc Shmuger
Shmuger

Universal Pictures has made a two-year, first-look producing deal with Vince Vaughn and his Wild West Picture Show Prods. Arrangement kicks off with three features, each of which could be a starring vehicle for Vaughn.

Vaughn has set in development "Male Doula," a high-concept comedy based on his idea, to be scripted by Dana Fox ("What Happens in Vegas ...").

He is partnered with "The Break-Up" producer Scott Stuber on two other projects. One is an untitled comedy Jon Favreau is scripting about couples that attend a retreat to reinvigorate their marriages. The other is "Realtors," a satire about the cutthroat chase for commissions by rival realtors in the residential housing market.

The deal given Wild West Pictures Show Prods. by U production prexy Donna Langley allows the shingle to acquire pitches and spec scripts and gives Vaughn a discretionary fund.

While Vaughn received his first producing credit with Favreau on their "Swingers" follow-up "Made," he made his mark as a producer with Universal on "The Break-Up." The comedy was based on Vaughn's idea, with Jeremy Garelick and Jay Lavender writing the script. After the pic grossed $205 million worldwide, U brass felt Vaughn was money and he didn't even know it.

"We came away feeling that he was one of the absolute smartest guys in the business, who attended to every part of the process with such focus and has a real touch for what is fresh and interesting for the culture," Universal Pictures chairman Marc Shmuger told Daily Variety. "We think Vince will find a long and comfortable place for himself here."

Vaughn was also a hands-on producer on the documentary "Vince Vaughn's Wild West Comedy Show: 30 Days & 30 Nights -- Hollywood to the Heartland." Pic, which features Vaughn as emcee of a comedy tour, sold in a bidding battle to the Weinstein Co. at last year's Toronto Film Festival.

Months later, when Vaughn was unconvinced about the release and marketing strategy, he appealed directly to Weinstein and was able to buy back the film and make a new deal with New Line and Picturehouse. The pic will be released next year, after Vaughn stars in the holiday comedy "Fred Claus" for Warner Bros., bowing Nov. 9.

"I'm looking forward to working again with Marc, David Linde, Donna Langley and their talented teams," Vaughn said in a statement. "I had a great experience on 'The Break-Up,' and the marketing team, led by Adam Fogelson, did a fantastic job with the film."

'Bourne Ultimatum' chases down $70.2 million

hr/photos/stylus/2820.jpg

"The Bourne Ultimatum"

Jason Bourne returns to America in his quest to discover his true identity, and North American moviegoers embraced his homecoming as "The Bourne Ultimatum" rushed to an estimated $70.2 million opening weekend.

Although Universal Pictures' propulsive chase movie dominated the frame, Buena Vista Pictures' "Underdog" found some favor with family audiences. But the weekend's other new wide arrivals, Paramount Pictures' comedy "Hot Rod" and Lionsgate's teen outing "Bratz: The Movie," received the cold shoulder.

The PG-13 "Ultimatum" -- with Paul Greengrass, who directed "The Bourne Supremacy" three years ago, again at the helm -- raced past the bows of 2002's "The Bourne Identity," which opened to $27.2 million, and 2004's "Supremacy," which arrived to $52.5 million.

Applauded by critics -- it earned a 94% approval rating at RottenTomatoes.com -- the film written by Tony Gilroy, Scott Z. Burns and George Nolfi and produced by Frank Marshall, Patrick Crowley and Paul Sandberg earned an A from moviegoers according to CinemaScore as it racked up a per-theater average of $19,175.

Read the rest here@ The Hollywood Reporter

Sunday, August 5, 2007

Weekend Box Office

WEEKEND BOX OFFICE ESTIMATE
Aug. 3 - Aug. 5, 2007
Title Engagements Estimated
Weekend
Box Office
1. The Bourne Ultimatum (UNIV) 3,660 $70.0
2. The Simpsons Movie (FOX) 3,926 $25.6
3. Underdog (BV) 3,013 $12.0
4. I Now Pronounce You Chuck and Larry (UNIV) 3,289 $10.5
5. Hairspray (NEW LINE) 3,115 $9.3
5. Harry Potter and the Order of the Phoenix (WB) 3,125 $9.3
7. No Reservations (WB) 2,425 $6.6
8. Transformers (PAR) 2,419 $6.0
9. Hot Rod (PAR) 2,607 $5.0
10. Bratz (LIONSGATE) 1,509 $4.3
in millions of dollars
Full list available Monday afternoon at www.variety.com/boxoffice

Thursday, July 26, 2007

The Simpsons...


After a long 18 years of waiting, tomorrow is the day. The Simpsons' Movie finally hits theaters. Forgot El Cantante and I Know Who Killed Me, this is what you need to see this weekend.

Check out the movie trailer as if you haven't seen it already.



Also check out how someone decided to do the famous opening with real life people. Classic.



Also check to see if there is a Kwik E Mart near you. If you have no idea what I am talking about check out the article. You can actually have a real life Kwik E Mart experience. No, I don't know if you will meet Abu.

Monday, July 23, 2007

Trendy TV: Emmy Nominations Announced

HBO tops nominees with 86 nods

Click here to see the list of Emmy nominees

The new drama "Heroes" and comedies "Ugly Betty" and "30 Rock" broke through into the traditionally veteran-dominated best series categories at the 59th annual Primetime Emmys, announced Thursday morning in North Hollywood.

Last year, no new program earned a spot in the comedy or drama balloting. That result yielded plenty of grumbling about the selection process despite changes implemented specifically to bring an infusion of new blood into the awards. Instead, several nominees had already been canceled or concluded their network runs.

Beyond the newcomers, repeat nominees in drama -- almost certainly the Emmys' most competitive category -- include "Grey's Anatomy," "House" and "The Sopranos" (this year's most-nominated series, at 15), plus a first bid for ABC's "Boston Legal," perhaps the biggest surprise. Time ran out, meanwhile, on Fox's "24" -- left off the list despite its victory last year, as was the acclaimed new NBC series "Friday Night Lights."

Among comedies, the aforementioned Thursday-night freshmen are joined by defending champ "The Office," first-time nominee "Entourage" and TV's top-rated sitcom, "Two and a Half Men."

With 86 nominations, HBO tallied the most bids for the seventh consecutive year, albeit with its lowest total since that streak began. The pay cabler has been the most-honored network six years running, including ties with NBC in 2001 and '02.

The HBO charge was led by the Dick Wolf-produced historical movie "Bury My Heart At Wounded Knee," which, despite mixed reviews, lassoed 17 nominations -- one more than another Western, AMC's "Broken Trail," starring Robert Duvall. Interestingly, last year's most-recognized project was another miniseries drawn from that era, TNT's "Into the West."

Those productions are up for movie and miniseries, respectively, with the pickings thin enough in the multipart category that only two other contenders, PBS' final "Prime Suspect" outing and USA's "The Starter Wife," round out the field. (Although it received seven mentions, ABC's controversial "The Path to 9/11" was overlooked in the miniseries arena.)

Capping its historic run at 111 nominations (nine short of all-time leader "ER"), "The Sopranos" has been in the drama running six times previously but taken the prize only once, in 2004. This year's voting did correct what many considered perhaps the most glaring oversights of the 2006 campaign, with the mob drama's stars James Gandolfini and Edie Falco, as well as "House's" Hugh Laurie, securing Emmy bids to go with their respective shows.

Barring a few exceptions, the acting categories are heavily populated by familiar faces, though "Betty's" America Ferrera, her nemesis Vanessa Williams and "30 Rock's" Tiny Fey and Alec Baldwin snagged key comedy spots. Sally Field and Minnie Driver also garnered bids for new programs -- ABC's "Brothers & Sisters" and FX's "The Riches," respectively.

By contrast, Gandolfini and Falco are already three-time winners, as is Tony Shalhoub, vying for his third consecutive Emmy as USA's "defective detective," Monk. Similarly, "Boston Legal's" James Spader and supporting actor William Shatner have a pair of Emmys each for those roles.

Other prior winners again in the mix are Mariska Hargitay, Patricia Arquette, Julia Louis-Dreyfus and Felicity Huffman. Another nominee, "Weeds" pot mom Mary-Louise Parker, earned separate recognition for Oxygen movie "The Robber Bride."

Reflecting the strength of its ensemble cast, "Grey's Anatomy" accounted for a third of the 12 dramatic supporting-actor slots, with since-departed co-star Isaiah Washington not among them. "Sopranos," "Two and a Half Men" and "Lost" also claimed multiple supporting spots, but those categories also opened up to first-timer Masi Oka for "Heroes" and Rachel Griffiths for "Brothers & Sisters."

HBO's gaudy nom totals are generally fueled by the variety of its programming arsenal, which has included nabbing honors for movie -- a genre the broadcast nets have largely abandoned -- 12 of the last 14 years.

While HBO has managed to maintain its leadership in the face of increasingly stiff competition from other cable nets, pay rival Showtime had less to celebrate. Despite splashy ad campaigns for series such as "The Tudors" and "Dexter," the former was crowned with only four nominations in technical areas, and the latter's star, Michael C. Hall, couldn't crack the lead-actor code.

Showtime's 17 bids actually dipped slightly from last year, while NBC improved markedly on its collective haul with 69, one less than broadcast champ ABC.

"The Daily Show With Jon Stewart" and "Amazing Race" -- both "fourpeat" winners in their respective variety and reality-competition spheres -- will also defend those titles, with ratings blockbuster "American Idol" again a nominee in the latter.

Presented by the Academy of Television Arts & Sciences, the Emmys are by far the most diverse awards presentation, with over 460 nominations spread across 90 categories. Unlike the Oscars or Grammys, the challenge of having programs eligible year after year complicates the juggling act and has historically spurred frustration over voters' failure to quickly bestow laurels on hot new series.

Programs that appeal to younger audiences have also fared poorly, as evidenced by the lone nod to the CW network ("Smallville," for sound editing), after predecessors the WB and UPN combined for six last year. The continuing snub of HBO's "The Wire" -- which received zero nominations -- will also come as a mystery to many viewers and TV critics, many of whom have hailed the gritty urban show as the best hour on television.

That said, the mentions for "Betty" and "Heroes" -- out-of-the-box hits that watched their ratings slide somewhat alarmingly during the spring -- and the low-rated "30 Rock" could provide promotional boosts to those series entering their sophomore seasons, one advantage of the telecast's timing as a kickoff to the new TV season.

In a footnote to its one-and-out run, NBC's "Studio 60 on the Sunset Strip" took more nominations than "Friday Night Lights," a less expensive NBC drama that survived (and surely was hoping to benefit from a stronger nomination showing), with three of its five bids coming for guest actors.

The main Emmy ceremony will take place Sept. 16 at the Shrine Auditorium and will be televised by Fox.

Click here to see the list of Emmy nominees

Visit the official site of the Academy of Television Arts & Sciences for the full Emmys list of nominees

Read the full article at:
http://www.variety.com/article/VR1117968700.html

Box Office Results

WEEKEND BOX OFFICE ESTIMATE
July 20 - July 22, 2007
Title Engagements Estimated
Weekend
Box Office
1. I Now Pronounce You Chuck and Larry (UNIV) 3,495 $34.8
2. Harry Potter and the Order of the Phoenix (WB) 4,285 $32.2
3. Hairspray (NEW LINE) 3,121 $27.8
4. Transformers (PAR) 3,762 $20.5
5. Ratatouille (BV) 3,402 $11.0
6. Live Free or Die Hard (FOX) 2,727 $7.3
7. License to Wed (WB) 2,525 $3.8
8. 1408 (MGM) 1,451 $2.6
9. Evan Almighty (UNIV) 1,779 $2.4
10. Knocked Up (UNIV) 1,288 $2.3
in millions of dollars
Full list available Monday afternoon at www.variety.com/boxoffice